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gathering evidence, an art show

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gathering evidence, a show

A remarkable travel journey of drawing + design.ArtShow_PeterMiller_f

Fall 2017 News

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an award

Winning an award with the Alaska Watercolor Society recently is a great honor.

The best is that I send the ‘best of the best’; that which is from the heart.  This work of art, adagio, has an authenticity that I felt proud to exhibit.

Onward.

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clean slate

 

letting go; clearing the decks….https://anitahlehmannartist.com/for-purchase/

 

 

and a few more… + Happy Summer.

inspiration + influence

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In order, starting top left to bottom right:

Tom Hoffmann, Catherine Gill, Alvaro Castegnet, Skip Lawrence, Barbara Fugate, Dawn Emerson, John Singer Sargent, Richard Diebenkorn, Andrew Wyeth…to name a few.

Grand teachers.

 

monotype.

 

 

 

 

 

 

 

 

 

The joy I felt in studio yesterday and today was terrific; a process successful as I discover once again; ‘it’s in the doing.’

More discovery of color was certainly the objective but the spontaneity a monotype press can give you is surprising and freeing.

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I will continue my color studies; still life next. Why aprons?

Well, I found a  beautiful and meaningful concept describing ‘women’s march’ which is happened in Seattle and worldwide.

Color is a powerful design element I am thoroughly enjoying. Check out that red!

More soon.

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road trip

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‘Design is a plan for arranging elements in such a way as best to accomplish a particular purpose’. (Charles Eames)

It was a road trip last week; arranging flowers in a painting; conceiving concept. As I worked the painting, I wasn’t too sure where I may be headed. I was ‘driving the car’ in a meandering direction; all seemed fine. Then, a wrong turn, over working concept even with subtle changes.

However, I charted my course and using my camera, I documented each step along the way. Because of my patient documentation, now I may begin again and set the vehicle on the right ‘fork in the road.’

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this + that

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that’s what I’m talking about…

The Depictive. The Evocative.

‘Painting what you do not see is no better or worse than painting what you do see.  The only sin here is to not allow yourself to explore all possible realities.  I often see paintings that while technically near perfect, are void of soul, personal expression, and creativity.’

Skip Lawrence

http://skiplawrence.com/making-unseen-visible/  p1 depictive:evoactive_romewindow dialoguep4 depictive:evoactive_romewindow dialoguep2 depictive:evoactive_romewindow dialoguep 3 depictive:evoactive_romewindow dialogue